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stan douglas: doppelgänger

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Location details Toggle Location details. Victoria Miro has announced the representation of Kudzanai-Violet Hwami. Doppelgänger is set in an alternative recent past with futuristic yet analogue technology, where typewritten messages are transmitted in metal boxes. In 1994, Canadian artist Stan Douglas produced the two-channel black and white film installation Der Sandmann in one of these old studios. Stan Douglas will mount a solo show of new work in the Canada Pavilion for the 59th version of the art world’s Olympics. Work by the artist is held in major museum collections, including the Art Gallery of Ontario, Toronto; Centre Georges Pompidou, Paris; The Israel Museum, Jerusalem; Los Angeles County Museum of Art; Museum of Contemporary Art Chicago; The Museum of Modern Art, New York; National Gallery of Canada, Ottawa; Pérez Art Museum Miami; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Tate; Vancouver Art Gallery; and the Walker Art Center, Minneapolis. Biennale Arte 2019 - "Doppelgänger" by Stan Douglas A Menadèo - aRTs - Loading ... Douglas Stan Television Spots AND Monodramas 1987-1991 - Duration: 7:52. An (XR) exhibition of new paintings by Flora Yukhnovich created during a residency with Victoria Miro in Venice during the autumn of 2019 and completed in her London studio earlier this month. VIEW ON MAP. Jan 31-Mar 14, 2020. London. Stan Douglas, Doppelgänger (still), 2019. Doppelgänger is a two-channel video installation by Douglas. London. Douglas is recognized as one of the country’s most acclaimed contemporary artists whose multidisciplinary works, including … In a formal sense, Doppelgänger is fiendishly complex. Stan Douglas is a Canadian Conceptual artist best known for his video, photography, and film installations. His work has additionally been presented at the 58th International Art Exhibition, La Biennale di Venezia (2019); Sharjah Biennial 14, UAE (2019); Haus der Kunst, Munich (2019); Hamburger Bahnhof, Berlin (2018); Museum of Fine Arts, Houston (2018); Tate Modern, London (2018); Aargauer Kunsthaus, Switzerland (2017); Hayward Gallery, London (2016-2017); Audain Art Museum, Whistler (2016); The Institute of Contemporary Art at the University of Pennsylvania, Philadelphia (2016); Museum der Moderne Salzburg, Austria (2014); Bildmuseet, Umeå, Sweden (2013); Museum of Contemporary Art, Chicago (2013); The Museum of Modern Art, New York (2013); Museum of Contemporary Art, Los Angeles, (2012, travelling to Whitney Museum of American Art, New York and Wexner Center for the Arts, Columbus, Ohio); Walker Art Center, Minneapolis (2012); ZKM/Museum für Neue Kunst, Karlsruhe (2010); and the Solomon R. Guggenheim Museum, New York (2010). The vignettes that make up the looped narrative of Doppelgänger are shown on two square, translucent screens, which … “In Doppelgänger,” Stan Douglas explains, “we see two video screens depicting scenes in an alternative present in which we in the past had invented a process called ‘quantum teleportation’….It’s a real thing, which Einstein derided but it actually turned out to be true, where if you entangle particles, when they’re being created, and take them apart, an action in one makes … Stan Douglas is a director and writer, known for Doppelgänger (2019), Klatsassin (2006) and The Secret Agent (2015). Alice, a solitary astronaut, is teleported to a distant planet, and so is her double. There have been plenty of references to … For Scenes from the Blackout, he imagined the physical effects of a total loss of power in present-day New York City and how people would behave in such an emergency. In one version, Alice is received compassionately and welcomed home, whereas in the other, she is treated as an outlaw or a potential threat. But rather than let the cinematic doublings leave us in a place of uncertainty mirroring that experienced by Alice—and that of all the Alices trapped in universes where they can never know whether they will be received with sympathy or hostility—Douglas’s work feels less nuanced than these predecessors. Image courtesy of the artist and David Zwirner and Victoria Miro “The action on the two screens proceeds alternately in tandem and in parallel, seamlessly moving between the two oppositional scenarios of [astronaut] Alice’s reception back on Earth,” says the Victoria Miro Gallery. Two threads of sci-fi narratives occur in parallel and yet are light years apart. View Stan Douglas’s 81 artworks on artnet. Stan Douglas is a director and writer, known for Doppelgänger (2019), Klatsassin (2006) and The Secret Agent (2015). Late in life Beckett produced a short text called “The Lost Ones,” a schematic description of a cylinder in which “lost bodies” roam to find the partner from which they have been separated. His ongoing inquiry into technology’s role in image-making, and how those mediations infiltrate and shape collective memory, has resulted in works that are at once specific in their historical and cultural references and broadly accessible. His films and photographs have been included in exhibitions internationally since the early 1980s, including at documenta IX, X and XI (1992, 1997, 2002) and in four Venice Biennales (1990, 2001, 2005 and 2019). This is the premise of his video installation, Doppelgänger, currently on view at David Zwirner in New York and Victoria Miro in London. January 31–March 14, 2020 Victoria Miro, London. Stan Douglas is the recipient of the 2016 Hasselblad Award and the 2019 Audain Prize for the Visual Arts. Debuted at La Biennale di Venezia, 58th International Art Exhibition, May You Live in Interesting Times, this ambitious work will be exhibited for the first time in the UK. The artist talks 'Star Trek,' Proust, and latest video project 'Doppelgänger.'. Preis auf Anfrage. United Kingdom. Since the late 1980s, Stan Douglas has created films and photographs – and more recently theatre productions and other multidisciplinary projects – that investigate the parameters of their medium. Additionally, Victoria Miro will present selected works from Douglas’s photographic series Scenes from the Blackout. The National Gallery of Canada has announced that Vancouver artist Stan Douglas will represent Canada at the 59th Venice Biennale in 2021. Image courtesy of the artist; Victoria Miro, London; and David Zwirner, New York. Doppelgänger will concurrently be on view at David Zwirner, New York, opening on 16th January 2020. This same impulse has produced the main work in the show, the film installation Doppelgänger, which premiered at the Venice Biennale in 2019 and which is projected onto two square screens hanging side by side from the upstairs gallery’s ceiling (in another of its many doublings, it was also exhibited concurrently at David Zwirner, New York until February 22). DATES. This speculative history is an allegory of contemporary attitudes towards migration. The two Alice clones arrive on opposite earths: Alice-2, arriving on our earth, is quarantined, drugged, and questioned in an interrogation room; Alice-1, arriving on the reverse earth, is welcomed and given medical support. Stan Douglas is a director and writer, known for Doppelgänger (2019), Klatsassin (2006) and The Secret Agent (2015). Venice Biennale 2019: Giardini 3. Stan Douglas: Doppelgänger 31st January–14th March 2020 Victoria Miro, 16 Wharf Road, London N1 7RW, Mark Westall is the Founder and Editor of FAD magazineFounder and co-publisher Art of Conversation and founder of the platform @worldoffad. Douglas often explores what he calls ‘speculative histories’, picturing pivotal moments when events in the world might have taken a very different turn. Stan Douglas, Doppelgänger (2019) Courtesy of the artist, Victoria Miro, and David Zwirner. Doppelgänger will concurrently be on view at David Zwirner, New York, opening on 16 January 2020. Speculative histories have been a powerful tradition in black thought in the Americas, from Martin R. Delany’s Blake; or, the Huts of America (1859–62), which imagines a successful slave uprising in Cuba, to Octavia E. Butler’s trilogy Lilith’s Brood (1987–89), which portrays a future in which humans are coerced into breeding with aliens to produce new species. Exhibitions in the Canada Pavilion are commissioned by the National Gallery of Canada and produced in partnership with the Canada Council for the Arts . 16 Wharf Road; The show is being shown from January 16 to February 22, 2020. Since the late 1980s, Stan Douglas has created films and photographs – and more recently theatre productions and other multidisciplinary projects – that … The show is being shown from January 16 to February 22, 2020. A thread linking Stan Douglas’s work across various media—installation, film, television—is the creation of what he has called “speculative histories.” Take “Scenes from the Blackout” (2017), a series of large photographs on display downstairs at Victoria Miro’s north London outpost. Recent venues for solo exhibitions include MUDAM, Luxembourg (2018–2019); the Hasselblad Center, Gothenburg (2016); Pérez Art Museum Miami, Florida (2016); Salzburger Kunstverein, Salzburg, Austria (2016); Wiels, Centre d’Art Contemporain, Brussels (2015); Museu Coleçäo Berardo, Lisbon (2015); Fruitmarket Gallery, Edinburgh (2014-2015); Carré d’Art – Musée d’Art Contemporain, Nîmes (2013, solo, travelling to Haus der Kunst, Munich, 2014; Nikolaj Kunsthal, Copenhagen, 2015 and Irish Museum of Modern Art, Dublin, 2015); Minneapolis Institute of Arts, Minnesota (2013) and the Moscow Photobiennale 2013. Los Angeles covering: Fashion, Art and Design a parallel reality Biennale 2019. Write it are fickler still in New York almost entirely blacked-out cityscape is juxtaposed Scenes... A New Work by the painter will feature in Victoria Miro has announced the representation of Flora Yukhnovich in... Announced the representation of Flora Yukhnovich part 6 of the cinematic... 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